The day before New Year’s Eve, I look back at everything I photographed in 2025, and this wedding feels like the wedding of the year. Not the biggest, most expensive, or most “polished”. Just the one that had everything that actually matters. This elephant sanctuary wedding didn’t happen by a lucky accident, but out of a long family history with me, deep trust, and a couple so easygoing and open that nothing felt off-limits. A destination wedding in Florida where elephants wandered behind the ceremony at sunset, the whole thing feeling like a savannah moment borrowed from another continent.
DIY details placed and adjusted by family hands, a bride who wanted to be celebrated and fully alive in her skin, and a groom who backed her without hesitation. And when the sun dropped and the music took over, the party went completely wild… you can’t stage it, just survive with a camera and a grin. If I photographed only one wedding this year, this would still justify the year.
Table of Contents
How We Even Got Here
Kristen and Shawn didn’t find me the usual way. This wasn’t a search, a scroll, or a “we liked your editing”. This was family history.
Kristen is the sister of one of my old-time clients, Shannon, one of my true veterans. We go back to 2014, when Shannon and I did her first boudoir session. Then later that same year, we did a post-wedding session that got people talking, including a horse (if you want to go down that rabbit hole, here’s the original. Then maternity in 2015, then family shoots, then a Christmas-themed session when baby number three arrived. That’s not quite a “repeat client”. That’s a decade-long relationship.
So when Shannon reached out and said her sister was getting married, the tone was already set, and trust was already baked in. And Shannon was also doing Kristen’s wedding makeup, so she wasn’t just involved, she was right there.
When a person who has done eight sessions with you says that, you listen. Shannon was there with her three boys, the ring bearers, but without her husband who couldn’t make it.
Also, Shawn works at the ranch. Access wasn’t a hopeful “maybe”. It was real.
That’s how an elephant sanctuary wedding lands on your calendar, along with a flight, a rental car, and the kind of creative anticipation that makes you start thinking about photos months before you even pack.
Engagement Session, Florida Speedrun Edition
The engagement session happened at Lido Beach in Sarasota, and I did the classic destination-photographer thing: flew in that morning, grabbed the rental car, showed up early, and scouted like a nervous squirrel hiding acorns. I wasn’t going to trust the map. I walked it, found my best angles, picked the best pockets of space, and drafted a route through the concept spots I’d collected.
Then reality happened. The couple was really late.
Instead of two hours, we had less than an hour before sunset. The kind of timeline where you don’t “wander and see what happens”. You move… or run.
We did literally run between a couple of spots to make it in time. Glamorous? No. Effective? Yes. Also, nothing bonds a couple to their photographer faster than realizing you’re willing to jog in sand for their sunset.
I also made a choice that mattered: no off-camera flash. I didn’t want to pull the scene into “dramatic” (yes, it is one of my signatures, but certainly “the” one). I wanted it warm, natural, and honest, like the evening itself. So I kept the route, skipped a couple of concepts, shortened the remaining ones, and still got most of the ideas.
The couple wasn’t alone either. Shawn’s adult daughter was with us (you’ll see her presence threaded through the story later), and Kristen’s mom was there too. Kristen’s mom has adored my work for years, since the day she literally helped me with off-camera lighting during Shannon’s first maternity session.
That history showed up in the vibe: less vendor, more “we’re all in this together”. The kind of elephant sanctuary wedding energy that starts before the wedding even exists.
And then the moment that set my mind for the next day: once I felt how fearless Kristen was, how willing she was to go bold and sensual without turning it into a performance, we went for the kneeling-in-water shots. Those frames told me, quietly but clearly: this bride is up for power, not just pretty.
And Shawn? He was fully on board, zero hesitation. Same with his daughter. That hour was productive and cemented cooperation and excitement.
The “Not a Vendor” Moment
Between the engagement session and the wedding, Kristen and Shawn invited me to their Airbnb. I got my own couch in the living room. That detail might sound small, but it changes everything.
It’s hard to photograph like an insider if you’re treated like an outsider. Sleeping there made me feel like an invited friend, not a vendor. You can see it in the comfort level, the access, the lack of stiffness. A lot of wedding photography problems vanish when trust is that deep. An elephant sanctuary wedding is already unusual, but this part is the real secret sauce. The elephants are the headline. The trust is the engine.
Venue Setup, DIY Energy, and the “Suites”
Now to the wedding day itself.
The wedding took place next door at Ivory Acres, a rustic, down-to-earth, DIY-friendly venue in Myakka City, Florida. The way their FAQ describes it is pretty on point: a blend of vintage and modern aesthetics, with details like fairy lights and chandeliers, open-air concepts, greenery and panoramic views.
But the reason it worked for Kristen and Shawn is simpler: it didn’t fight their priorities. They wanted essence, emotions, and elephants in the sunset. The venue gave them a flexible canvas and the couple, plus family, filled it with their taste.
You’ll see that in the getting-ready and pre-ceremony images, because they weren’t sitting around waiting for staff to do things. They were tending to the day. Arranging, moving, adjusting. Family members helping, friends making it real.
Also, let’s talk about the “suites”, because I love this part. The bride’s suite and groom’s suite were basically mobile rooms, container-style, each with a bathroom. On paper, that sounds like a compromise. It fit the tone of this elephant sanctuary wedding perfectly: less luxury theater, more rustic comfort.
First Looks, Family Gravity, and Those Florida Trees
There was a first look with Kristen and her dad first. That one hits differently, because it’s not about being “cinematic”. It’s about time. The moment you’re a kid, and then you blink, and suddenly you’re a bride, and your dad’s face tells you he felt the blink too.
Then came the couple’s intimate first look. Kristen and Shawn kept it real: no over-direction, no awkward “hold your hands like this”. Just them, in their own skin, in a day they built.
After that, we did portraits. And I took full advantage of the landscape. Those big Florida trees, the kind with wide canopies and twisting limbs, the ones that give you shade, structure, and a sense of place. In this part of Florida, you’re often looking at live oaks as the dominant character trees, and they photograph like they’ve been watching humans do human things for a few hundred years. It’s the perfect visual bridge between “rustic venue” and “prehistoric-scale elephants”.
The Sanctuary Visit, the Facts, and the Calm Giant
Then we went over to the sanctuary, Myakka Elephant Ranch.
Here’s the informative bit, because I know people will ask, and if you’re going to write an elephant sanctuary wedding blog, you should respect curiosity:
Myakka Elephant Ranch presents itself as a nonprofit conservation center focused on elephant education and conservation, operating as an open-air facility with encounters booked by reservation. They’re explicit about visitor access being appointment-based, and they don’t publish a specific address publicly.
They offer different kinds of scheduled “encounters” and educational experiences, which include learning about elephants and, in some formats, supervised opportunities for touching and photos. That matters for the story because this wasn’t random chaos with elephants wandering into a wedding unplanned. This was organized access, with keepers leading the elephants calmly, and the wedding itself arranged around public hours so visitors could clear out shortly after the couple arrived.
During the sanctuary portion, we did family photos with one of the elephants, the most tame and chill one. The mood: calm, safe, supervised, and honestly surreal. A family portrait where one subject weighs, well, a lot more than everyone else.
And yes, in the back of my mind, as soon as I knew elephants were part of the plan, I was thinking of Richard Avedon and “Dovima with Elephants”. That photo lives in fashion photography history for a reason. So I made a bridal portrait with that tribute in mind, and it becomes the black-and-white blog cover. Anyone who knows fashion photography is going to recognize the nod, and anyone who doesn’t will still feel the gravity of it.
Back to Ivory Acres, Wheels, and the Artist Eye Moment
After the sanctuary, we continued with family and friend portraits without the elephants. This is where those big wheels come in, and I used them as symmetrical props and frames. I love anything that gives you geometry in a rustic setting. Wheels are basically ready-made composition tools: circles, symmetry, framing, and a little “farm heritage”.
Then, back at the venue, I scored a few more striking portraits of Kristen and Shawn. If you know me, you know I’m always scanning for little gifts, things most people walk past. In this case, it was a lighting fixture that was part of the decor. Instead of treating it like background, I used it as the foreground magic. The bokeh in those frames is what happens when you keep your eyes open and use what’s already there. Cinemetic artist eye, not the latest expensive-gear flex.
Ceremony Goes Full Savannah
As guests started arriving, the elephants were walked to the grass field behind the ceremony canopy. Suddenly the whole place had a buzz. Selfies, admiration, people walking around with that face you get when you’re looking at a creature that feels older than your entire life.
The ceremony itself happened right at sunset. The sun was glaring into the guests’ eyes. Not ideal for squinting. But again, if your complaint is “the sun was bright” while there are elephants grazing behind the ceremony, you might be missing the point. The scene of a sunset behind the couple, with elephants’ backs grazing in the distance, makes the ceremony feel like a savannah moment from somewhere faaaaar away.
That’s the double meaning of wild in this story. Wild nature, and wild people (oh, wait to see them down the blog). Both showed up.
I also kept a respectful distance during the ceremony. I didn’t want to push for super-close elephant proximity while the actual vows were happening. Instead, after the ceremony, I requested a few more couple portraits with the two elephants, closer and more intentional, when it could be done calmly and safely. It’s better photography anyway. You get the shot without rushing it, and you keep the vibe respectful.
Reception: the Warm Start, Then Absolute Chaos (the Good Kind)
The reception started classic: first dance, father-daughter dances. The kind of grounding tradition that tells everyone, “yes, this is a wedding, not a circus”. And then the switch flipped.
The room warms up, people loosen up, the crowd finds its rhythm, and suddenly it’s not polite anymore. It’s alive.
One of the highlights, and I want to push this as inspiration because I don’t see it often enough: the table dash photo game.
Here’s how it works (and why it’s genius). In coordination with the DJ, the music plays and stops. Each table gets a limited window where the couple has to run to them, literally run, and pose in whatever chaotic arrangement that table can invent in a couple seconds. No thinking. No beautifying. No “wait, let me fix my hair”. The point is speed and ridiculousness.
The result is that the couple gets photos with everyone, without doing the boring, endless, polite table rounds. It becomes entertaining, memorable, and the photos come out wild, the exact kind of images people keep for years because they’re actually fun to look at.
And there’s one image where Kristen is doing something I genuinely don’t see often, the kind of move that makes you laugh and also think, “yep, that’s her, that’s the bride”. It’s another reason this elephant sanctuary wedding earns the word wild with no apology.
Also, at some point in the garter territory, Shawn did a lap dance on his wife. That’s the kind of detail I’m including here because it’s a perfect snapshot of the couple. She wanted a splash, he supported the splash, and everyone around them was cheering like this was normal. That’s rare. Most crowds are either shy or performative. This crowd was genuinely in it.
From there, it was shenanigans all the way: a happy crowd that knew how to have fun, not in a forced way, in that natural “we’re not worried about looking cool” way. Those are my favorite receptions to photograph because nobody is freezing for the camera. They’re living, and the camera is just trying to keep up.
The Parallel: Another Sanctuary, Another Kind Couple, Another DIY Soul
This wedding also gave me flashbacks to another standout from 2025, the rescue-farm wedding.
Different state, animals, style. Same DNA: sanctuary spirit, DIY hands-on choices, kind people who weren’t trying to impress the internet, and yet somehow created something that could absolutely go viral because it was honest and bold.
If there’s a theme in my 2025, it’s this: the most unforgettable weddings aren’t the ones that buy perfection. They’re the ones that build meaning. And this elephant sanctuary wedding is that, loud and clear.
Epilogue: Leaving the Party, Crossing Florida, Seeing My Lanushka
After the reception, I drove off into the night. West coast to east coast, across Florida, heading to Miami to visit my eldest daughter, Evelyn, and her boyfriend Alex. It’s part of how every year feels to me: work, family, travel, and these strange little emotional bridges between one chapter and the next.
There’s something poetic about leaving a wild dance floor under the stars, and then ending your night driving across a state for 4 hours to see your kid. From one jungle to another: from lumbering elephants to loud 115 mph sports cars that I got to experience on I-95 crossing the city.
What to Steal From This Wedding
If you’re planning your own:
- Pick a venue that supports your priorities, not one that forces you into someone else’s script.
- Build your day around one unforgettable element, but make sure it’s real. An elephant sanctuary wedding works because it’s grounded in ethical structure and planning.
- Don’t be afraid of “unpolished” if it buys you authentic energy.
- If you want photos with every guest, steal the table dash photo game. It’s chaos with a purpose.
- Invite the people who feel like family, and treat your vendors like humans. Sometimes that turns them into family too.
Behind the Scenes
Credits
Photography: Zorz Studios (@zorzstudios)
Makeup artist: Shannon DeRosa Herrmann (@shannon_lifeofanartist)
Sanctuary: Myakka Elephant Ranch (@myakkaelephantranch)
Venue: Ivory Acres (@ivoryacresfl)










2 Comments
What a beautiful amazing tale talent you are! I am Shannon and Kristen’s cousin Theresa… Zachary’s God mother. You caught some special moments of me and Zachy at the wedding along with a Shannon. He is my special boy with a sensitive giant heart. I would love to see those. We are so truly blessed to have had you in our lives for so many years. You are truly an artisti! I feel
Line you are a part of our big happy crazy family! We know how to have fun together. Don’t we! Thank you!! Thank you!! Thank you!!! Beautiful job!!!
Oh, Theresa, such a lovely note from you! Thank you for every bit of kindness and appreciation you share with me. I do feel like part of Shannon and Jeanine’s family, and so happy to expand it greatly after this wedding! There will be quite a few more images in the full gallery that I’ll share with Kristen and Shawn. If they share access, or another way, you’ll enjoy it even more! Hugs.